![]() It was called Unforgettable and it started with Nat 'King' Cole singing Unforgettable. It was just something for the mates, basically. And once I put together something crazy, something left-field, just for the other Beatles, a fun thing which they could play late in the evening. I had two Brenell tape recorders set up at home, on which I made experimental recordings and tape loops, like the ones In Tomormw Never Knows. Q: You are rumored to have recorded a special album at home one Christmas in the 1960s, in which you sang, acted and performed sketches, only three copies of which were said to have been pressed - for John, George and Ringo. In 1995, Paul McCartney was asked the following: UNFORGETTABLE - THE PAUL McCARTNEY CHRISTMAS ALBUM When the band then convened to begin work on "Revolver," McCartney's use of tape loops underpinned "Tomorrow Never Knows," the album's experimental finale.Notes d'accompagnement originales de Unforgettable - A.k.a. ![]() ![]() In 1965, McCartney created a special Christmas present for his bandmates: a special recording called "Unforgettable," pressed exclusively onto three acetates, which Rolling Stone describes as an "experimental private mixtape." The piece was composed using a number of tape loop machines, which McCartney had taken to experimenting with under the influence of avant-garde composer Karlheinz Stockhausen. ![]() 9."īut in reality, McCartney was embracing experimentalism as much as any of the other Beatles. ![]() Much of this stereotype comes from reports of how tensions began to emerge in The Beatles' later years together: that Lennon, often frustrated with his own songwriting partner, dismissed many of the songs McCartney had written for 1967's "The Beatles" - aka "The White Album" - such as the saccharine "Oh-Bla-Di, Oh-Bla-Da" as "granny s***," according to Ultimate Classic Rock. Meanwhile, Lennon himself was delivering cutting-edge experimental tracks, such as the infamous sound collage "Revolution No. But the biggest when it comes to the actual music is that John Lennon was the weird, artsy one, while Paul McCartney stuck to the more traditional side of songwriting. ![]()
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